 |
||
 |
||
 |
What guides my work is the dialogue between oppositions. This dialogue has occurred, basically, through the linearity, interactivity and movement.
I make concrete structures that take different forms with the interference of the spectator. It is this transformation, this change of the context, in accordance with the perspective of who interacts with the objects, that the work becomes. They are generated with the possibility to evolve. I create significant structures (that is, empty forms of meaning) so that the observer creates the meaning. The interactivity is the creation of meaning, and therefore, of singular identities.
These pairs of oppositions also appear frequently in the color. The white and the black, themselves, are not colors, only contrasts. However, they are basic and essential.
|
|
 |
||
 |
 |
 |